Flamenco Guitar Method Volume 1: Book/CD/DVD Pack
by Gerhard Graf-Martinez
from Schott
Gerhard Graf-Martinez is a passionate flamenco guitarist and teacher. The wealth of his knowledge is captured in this two-volume work, which also reflects valuable experience gained from his activities as a tutor at national and international seminars and workshops. The CD included with volume 1 contains all the pieces and musical examples for Volumes 1 and 2. Besides being a pure pleasure to listen to "Flamenco puro," it also conveys the authentic sound and the pulsating "compas" of this music. This is the only way to learn to play the music properly yourself. The DVD will take you to the passionate world of Flamenco, and you will quickly immerse yourself in this Spanish musical phenomenon.
How to Play Djembe (Book/CD set)
by Alan L. Dworsky
from Dancing Hands Music
This book is a complete, step-by-step, user friendly course on how to play djembe. Right from the start, in addition to learning how to make all the basic strokes, you'll be learning interlocking parts for some of the most popular West African rhythms; Kuku, Djole, Kassa, Madan, Suku, Sunguru Bani and Thiba. After working through only a few lessons, you'll be able to put the parts together and start playing these irresistible rhythms with your friends. The rhythms are written in simple charts, so no music reading is required. The CD that comes with the book gives you a chance to hear how each part sounds separately and how the parts for each rhythm fit together. It was recorded by John Camara, a master drummer from Bamako, Mali. Each rhythm lasts at least five minutes, so you'll have plenty of time to play along. And when John solos during the final three minutes of each track, you'll feel the thrill of playing your part along with an ensemble and lead drummer.
Cuba and Its Music: From the First Drums to the Mambo
by Ned Sublette
from Chicago Review Press
The Essence of Afro-Cuban Percussion and Drum Set: Includes the Rhythm Section Parts for Bass, Piano, Guitar Horns & Strings
by Ed Uribe
from Alfred Publishing Company
The Native American Flute: Understanding the Gift
by John Vames
from Molly Moon Arts & Publishing
A comprehensive step by step guide for learning how to play Native American Flute as well as the "basics" of making music. Interactive with 39 track audio CD demonstrating all instruction. You will learn: Proper finger and breath control, how to ornament melodies, how to understand Pitch and Rhythms, How to practice successfully, How to creat your own songs, Useful scales to develop technique and How to read printed music and Nakai Flute Tablature
The Jewish Fake Book (Fake Books)
from Tara Publications
The definitive Jewish music fake book! 212 songs for every possible occasion, selected by the world's foremost authority on Jewish music. Includes music for weddings, bar/bat mitzvahs, parties, and holidays in all music styles: Klezmer, Israeli, Dance, Yiddish, Sephardic, Hassidic, and more. Everything the professional musician will need for any Jewish event. includes an alphabetical and category index. Songs Include: Adir Adon Olam Am Yisrael Chai, Az Der Rebbe Zingt Bashana Haba'a Chad Gadya Choson Kale Mazel Tov Dayenu Di Grine Kuzine Dodi Li Donna Donna Eliyahu Hanavi Freylechs Hal'lya Hunkah Blessings Hatikva I Have A Little Dreydl Jerusalem Is Mine Kol Nidre Light One Candle Ma'oz Tsur Miserlou Od Lo Ahavti Dai Oifn Pripitchik Papirosn Rumania S'vivon Shalen Alechem Sher Siman Tov Tsena Tsena Ufaratsta Wedding March Yidn Yossel Yossel Zemer Atik and many more!
This Is Reggae Music: The Story of Jamaica's Music
by Lloyd Bradley
from Grove Press
Rap-Up: The Ultimate Guide to Hip-Hop and R&B
by Devin Lazerine
from Grand Central Publishing
In this fun, edgy, and essential guide, the editors of today's hottest music magazine give you the ultimate, all-access pass to the exciting world of hip-hop and contemporary R&B. From the megaselling songs to the biggest stars to the most outrageous scandals, RAP-UP gives you a comprehensive behind-the-scenes look at the revolutionary music that's transforming pop culture. Discover:
HISTORY LESSON How it all started, from rappers armed with toy keyboards and ambition...to breakout groups like Run-D.M.C. and Public Enemy who brought the 'hood to the suburbs and changed music forever.
THE NEW NEW SCHOOL One-of-a-kind profiles of Jay-Z, Beyoncé, 50 Cent, Usher, Ciara, and all the hottest artists. And a look at the moguls and producers who shape the hits, including urban-flow stylist Jermaine Dupri, off-center innovators The Neptunes, and techno-beat genius Timbaland.
WHERE'S THE BEEF? The inside story on rap's most notorious battles, from the legendary Juice Crew vs. Boogie Down Productions duel over hip-hop bragging rights, to the Jay-Z vs. Nas battle-of-the-giants, to the 50 Cent vs. The Game take-no-prisoners faceoff.
FROM HOLLIS TO HOLLYWOOD A comprehensive list of hip-hop on the silver screen-the good, the bad, and the performers (Will Smith, Jamie Foxx, Queen Latifah) who achieved box office gold and Oscar fame.
Complete with takes on must-own CDs and tracks, pop quizzes, career highlights, and artist road maps, this unique, definitive book is all you need to get down with everything hip-hop and R&B.
Drum Circle Spirit: Facilitating Human Potential through Rhythm (Performance in World Music Series)
by Arthur Hull
from White Cliffs Media
What does music mean? Common sense ideas (and even many kinds of theory) do surprisingly little to answer this question. For example, a familiar statement such as "music reflects society" treats both terms as if they were separate, timeless things instead of ongoing and related processes. Moreover, the intensely personal dimension of music is lost in the shuffle of abstraction.
If music is a genuinely immediate experience, and as such essentially disconnected from everything else in our lives, then it is beyond or outside what words can explain. If, however, music is a part of the story of our lives--if it is historical--then its stories lie within the realm of our capacities to learn about ourselves.
Such stories cannot replace or compete with music, but can help us to understand it. Consider the statement "music expresses emotion." While it may seem to be self-evident, a cursory glance at the worlds of music shows that this is a strange, even incomprehensible idea to most people in the world. At the same time, this perspective has a documented history. We can say how we got to believe that "music expresses emotion," by examining the cultural worlds which have preceded and engendered our own.
Each historical world of musical experience is at once unique and exemplary, a direct manifestation of human possibility. This work addresses these issues by showing their connections to the traditions of musical time and social discussion. Logical and semantic problems are analyzed through the Kantian philosophy of time. Following a general correlation of this conception to the discourse of social theory, the argument expounds the core details of musical time: rhythm, pulse, beat, and finally song structure. These concepts show how musical experience spatializes time, creating a kind of logical specificity congruent with other dimensions of our social experience, and thereby open to comprehensible discourse.
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